“Exodus:” Biblical epic in a digital age Reply

The good news is that “Exodus: Gods and Kings” is pretty successful as a Biblical epic and reasonably faithful to the original source. The bad news is that people apparently don’t want to see Biblical epics anymore. After all, how many ways are there to part the Red Sea? Everyone knows the story – the sea comes back and the Egyptians are drowned. Been there, seen that. So what’s new?

In the Ridley Scott epic currently showing to sparse crowds, what’s new are giant crocodiles whose chomping on fishermen starts the process of turning the Nile blood-red. Okay, I can deal with crocodiles. But a few twists like that really can’t sustain interest in a two and a half hour movie.

Christian Bale as a fightin' Moses.

Christian Bale as a fightin’ Moses.

Also new is the idea of personifying God as an 11-year-old boy. Presumably Scott didn’t want Morgan Freeman or some other Voice of God actor speaking from the burning bush. So he hired an English schoolboy, Isaac Andrews, to play God in person. He is listed in the credits as a character named Malak, but no one else besides Moses can see him – Aaron sees Moses talking to thin air – so the character is an divine apparition, not a boy.

Christian Bale’s portrayal of Moses as a reluctant hero is the film’s biggest weak spot. Moses is content to launch a sort of intifada against the Egyptians. Malak/God has to take charge and show the Pharaoh he means business and that it does not pay to mess with the Lord. The God of the Old Testament was not the warm and fuzzy type.

The special effects, digital work, and stunts are all well done, but that is expected these days. Sorry, there’s nothing exciting about a digital ancient city or big wave.

I had the impression from some reviews that the film took great liberties with the Biblical text, like the “Noah” film starring Russell Crowe. In fact, the biggest departure from the book is that Moses is shown as a general of the Egyptian army and right-hand man to Pharaoh. The book of Exodus doesn’t go there; Moses could have been a busboy for all we know. But Scott’s version sets up the rivalry between two strong-willed men, so its works. Scott’s overall interpretation of the text seems reasonable and respectful to me.

Perhaps it is the very predictability of the story that that is keeping people away. Most people learned the Exodus story when they were children. If you have time for a long movie during the holidays, why not try something you don’t already know – something with hobbits and dwarves in it, perhaps?

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