The germ of an idea for a good movie is present in “The Interview.” Airhead TV personality lands interview with Kim Jong-un, gets taken in by the dictator’s charm offensive, comes to his senses in the nick of time, and helps ignite a revolution with probing questions and the help of a disillusioned functionary of the regime.
Unfortunately, this promising outline is promptly buried in vulgar dialogue and jokes for which “crude” is too kind an adjective. Seeing the film through to the end is not so much a relief as an escape from an entertainment evidently aimed at 13-year old boys. Except that they are not supposed to be able to attend an R-rated movie by themselves. If 16-year-olds find it funny, I shudder at the future of our culture.Seth Rogen and James Franco do their bit and display a few flashes of wit, but it takes more than that to pull off a successful comedy, even the Adam Sandler variety. Anus jokes can’t carry a film.
In real life, Rogen and Franco owe Kim and his army of hackers (assuming it was really they who pulled off the assault on Sony) a big wet Hollywood kiss for gifting them with a gazillion dollars’ worth of free publicity.
Of course, when the hackers threatened terrorism against theaters showing the film, the major exhibitors demonstrated that they are in fact made of cotton candy and canceled the bookings. If Kim wanted to demonstrate the moral cowardice of the West, he succeeded handily. Sony finally pulled itself together and offered the film to a handful of arthouses, which reveled in the chance to profit from the controversy.
Watching the film, one can see why Sony was then anxious to dump it into cheap, pay-for-view channels ($6 on YouTube) rather than wait for the momentum to build from the limited release. Fact is, the word of mouth would have killed it anyway. So better to go for a quick buck from a mass online release and then take credit for being brave, so brave, in the face of the dictator’s threats.
At bottom, the film is not about Kim Jong-un and his madhouse of a people’s republic. This film, sad to say, is about America and the business of its popular culture.